E3 Needs Fanboys

It’s official, E3 would be a lively show if they packed a few fanboys into the press events to cheer on their favorite brands. As Microsoft’s Peter Moore said it, “let’s invite the community. With the right planning, involving our biggest fans in E3 would bring back some of the raw passion the event has lost.” (kotaku)

The offhand comment may not go as unnoticed as those the rest of the blogging community have been making. It seems most “normal gamers” are telling the industry E3 needs more fans to liven the show, but it’s going to take “top executive” like Peter Moore and others to make it a reality.

Imagine going to a rock concern where all the fans are critics waiting to see your performance, stoned faced and unexcited. Obviously your show is going to be a little limp in comparison than a stage full of crazy fans excited to hear anything at all from you.

We’re not saying to bring in 100,000 ravaging fans, we’re just asking for a few rows of excited fanboys to help cheer everyone on. The show would be less flat if you knew you were going on stage to present information you’re fans have been waiting to hear.

E3 doesn’t have to be another Woodstock nor does it have to be an staged audition with critics waiting for you to screw up.

0 thoughts on “E3 Needs Fanboys”

  1. Not even close. Why so binary? You only think in black and white?

    You can open the doors to fans with a limited allocated number of tickets, make them pay like a concert to get in, you _absolutely_ have options besides black and white. Anyone that says otherwise isn’t thinking out of the box.

  2. I’m not here to argue as you’ve already decide your opinion, I just believe your opinion is wrong.

  3. Okay, I’ll try again:

    “You can open the doors to fans with a limited allocated number of tickets, make them pay like a concert to get in, you _absolutely_ have options besides black and white. Anyone that says otherwise isn’t thinking out of the box.”

    That’s open to the public, with limited number of tickets.

Leave a Reply

Your email address will not be published. Required fields are marked *

Related Post

Episode 539: Two Plus HoursEpisode 539: Two Plus Hours

The previous week’s episode had too many technical issues to post, so this week’s episode overcompensates by being over two hours long. The Gaming Flashback this week is none other than 2009’s Minecraft, which is still going strong well into 2019.

This week’s news includes:

  • Microsoft explains Xbox Game Pass for PC, selling games on Steam (from GameWatcher)
  • The Avengers game is being revealed at E3 2019
  • Super Mario Maker 2‘s lack of costumes and online matchmaking with friends upsets fans
  • Wolfenstein: Youngblood to feature ray-tracing technology

All this and Listener Feedback.

Episode 243: Bashing MicrosoftEpisode 243: Bashing Microsoft

The latest episode, which is on the short side after having a really long one two weeks ago, sees Paul returning from the flu with somewhat of a shady attitude this week. Meanwhile, the Gaming Flashback is the 1976 coin-op arcade game Blockade.

The news for this week includes:

  • Gabe Newell teases something for E3 2012 with a “3” in it
  • Richard Garriott working on Ultima successor
  • Microsoft includes “do not class action sue us” clause for Xbox Live
  • Bizarre circumstances surround GSC Game World

All that plus Reader Feedback and the Question of the Week, “What was your favorite handheld game?”

Video Games Are Entertaining, E3, Not So MuchVideo Games Are Entertaining, E3, Not So Much

Most folks in the game industry are already writing off E3 as an actual event to be attending. Even Wedbush Morgan analyst Michael Pachter is calling it “virtually useless” for both retail and investors. The writing is on the wall and the reasons are obvious.

Publishers and developers didn’t want to invest the millions of dollars to make E3 a glamour show of epic proportions anymore. The lights, camera and action are all what the industry is about; the hype wagon in full steam. Gamers eat up the hype, bloggers and journalist rely on the hype and action to build readership and keep them coming back for more and retail uses it to gauge new releases and get a grip of the future.

Without the entertainment value of E3 nobody seems to care anymore. Large scale gaming entertainment is reflected in the large scale events and, at the end of the day, we want our conferences and shows to reflect the emotion and exciting of the industry.

“E3 had much more of an impact when it was a show,” comments IGN.com vice president of games content Tal Blevins. “The video game industry is about fun and entertainment, and we should have a show that reflects it.” (gamasutra)

Everyone is sad to see the state of E3, it’s like a cancer patient waiting for their final diagnosis. It’s unfortunate, it’s going to get worse and life will go on without it. In its wake, new shows will crop up while old shows increase in audience, excitement, intensity and cost.

As one show begins to fade others will grow to replace it and developers will yet again find themselves spending millions of dollars to be the best of show.