Now that Activision has merged up with Blizzard all under Vivendi it’s time to consider what to do with all the additional overhead, management, internal studios and sheer amount of people working on projects within their organization. In other words, it’s time to trim the fat and get leaned out for the long haul.
This isn’t unexpected news, the only way to grow more effective as a large company is to remove some of the access baggage that can slow you down and let your competitors take control. This is a sad job which nobody takes pride in (most normal people anyway) but it could mean the difference between rising to the top and sinking like a brick.
“We are focused on improving efficiency across the combined organization and are concentrating on businesses where we have leadership positions that are aligned with Activision Publishing’s long-term corporate objectives,” Activision Publishing CEO Mike Griffith said in a statement. (gamespot)
It’s important to be aggressive as a large company, just like you would be as a startup company. There is a reason startup companies grow into powerful competitors that win, grow and eventually become (or be purcahsed by) larger companies.
As part of this move some staff will be migrated to new projects, persumably reporposed into other divisions or allowed to find new jobs somewhere else. This is called “realignment” by those in the management organization, and currently those up for realignment are:
- Radical Entertainment (Prototype, Crash of the Titans)
- High Moon Studios (The Bourne Conspiracy, Darkwatch).
- Massive Entertainment (World in Conflict, Ground Control)
- Swordfish Studios (50 Cent: Blood on the Sand, Cold Winter)
These realignments along with other organizational changes will effect a few working game titles:
- Brutal Legend
- Ghostbusters
- Wet
- Chronicles of Riddick: Assault on Dark Athena
- World at Conflict: Soviet Assault
- 50 Cent Blood on the Sand
- Zombie Wranglers
- Leisure Suit Larry: Box Office Bust
- Several Xbox Live Arcade titles
At this point we’re not sure which, if any, will continue to be developed under Activision and which will be sold off to other companies or retired. Surely, those money making titles will be sold off if Activision has no plans to finish them.
Again, it’s hard to consider this a bad decision. This is a decision of growth over having too many “Cooks in the kitchen” making soup. It’s better to have rock solid titles of epic proportions than a large pool of mediocre titles with minimal sales and bad reputations, and that’s why they spend a lot of time in the office working on this and having a type of office chair for long hours on a computer is really helpful in this area.
It’s not that the titles they’re questioning are necessarily bad, but are not the leading titles in their space and are should be either given a stronger team to work on them or retire them entirely. To build a stronger team with passion and direction it might be best to sell the franchise(s) to other organizations so they can do it right with time and attention to detail.
(Thanks, gamespot)
Hey guys,
I missed last week’s comments so let me just add that I did indeed remove the PS4 camera plastic covers and it works well with other games/apps such as Playroom. Just Dance 2014 looks like it has not been tested/optimized at all as far as tracking is concerned on the PS4. Shame on me for getting it without researching it enough.
@PS4/XBone attach rates
I mentioned it last time but I will say it again. I try to buy as many physical copies of games as possible, especially when it comes to big titles. I did not buy a single digital PS4 game, not including the PSPlus free downloads. On the other hand, I only have two or three boxed Vita games but I would say this is mostly caused by the fact that the majority of games on that platform don’t come in boxes and are only available digitally.
I suppose that the publishers want to convince the public that going all-digital is the way to go and showing stats like that is one way to do it. Still, I don’t think this will work just yet. As far as I know, the Internet availability is not that good in the USA and a lot of users have data caps, which is a showstopper when it comes to games which require 10GB+ of download (including the obligatory day-1 patch). Also, as I previously mentioned, no one can take away your physical copy (except for a thief, obviously) but it is possible that the servers you donwloaded the game from will not work at a certain point in the future. Bah, it’s even certain that this will be the case. As much as people now go back to PS1, XBox or PS2 and play the older games, because they are still in boxes, if people in the future want to do the same with PS4 and XBone then must not rely on digital distribution methods.
@E3
Even though I’m not eligible for the giveaway (what if I give you a US address? 😉 ), let me jest say a few words about what I read and watched about E3. I went through all the briefings, including parts of the Nintendo digital event. I really liked the emphasis Microsoft put on games, including indie titles, and you could tell they learned a lesson from last year’s performance, staying away from the entertainment qualities of the new console. I’m not going to play any of the exclusive games they showed, as I’m not getting an XBone, but Sunset Overdrive looked fun and I wouldn’t mind giving it a go.
I was extremely excited about the Grim Fandango announcement. I love those old adventure games and I played most of the SCUMM titles but I somehow missed Grim Fandango. When I tried going back to it a few years ago, I had to jump through those hoops you mentioned with running old games on Win7 and then there was no sound so I decided to give up. Having the game on the Vita is amazing and it’s a great follow-up to the recent release of Broken Sword 5. And if they are really working on a sequel to GF that’s even more exciting.
I’m obviously looking forward to Uncharted 4 although we still don’t know much about the title. I really liked the first three titles in the series and I don’t believe Naughty Dog will screw the pooch on this one (get it? get it?) despite the internal turmoil.
I didn’t pay much attention to the hardware presented during E3 and I also mostly don’t care about things like Powers or the Halo TV series so I’m not going to comment on those.
I use this to play Grim Fandango on Windows 7. It works perfectly.
http://www.residualvm.org/
Hey Guys thanks for reporting on E3!
I have to admit that Littlebig Planet 3 and Uncharted 4 are pulls for me to get that system.
@PC Master race: I always have to laugh when I hear this, I myself don’t feel snobbish about it. I know I’ve said it before I just don’t feel the consoles have done much to bring me back to them. This E3 may change that with some games for the PS4. However I find I can’t imagine playing a First Person perspective game with a game pad, the movements are always too slow and clunky and aiming is a pain. Where as I enjoy using a Gamepad for platformers and such. I also love the ability to mod various games, which you can’t do with a console.
QotW: As I mentioned above Sony is releasing some games that my family and I are interested in playing. So Sony has piqued our interest again with this showing. Also the kickstarted game Pillars of Eternity showed there as well, so not all companies are staying the course as Paul said.
I also live in the US so I guess I qualify for the swag bag, my wife loves the Sims.
I forgot to respond to the part about the Beyond Earth Tech Web. I wanted to add that all the previous Civ games we’ve had a fairly straight forward Tech tree, all civs will research the same techs and it’s just a race to get those techs. The Web is designed to make it so that not all the techs will be researched by any given civ, that they will focus on one section for their faction.
What bothered me about Civ 4 and a little about Civ 5 is that there’s often a tech bottleneck in which you have no choice on what to research.
Exactly Jonah, and hopefully Beyond Earth’s Tech Web is balanced to give us a choice and decision and not just a railroad to the end tech.