There’s some audio issues in this podcast, which was delayed for quite a bit.
The news includes:
Let us know what you think.
This week’s episode has nothing to do with April Fool’s Day, since that was a week ago. There’s nothing surprising about the crew this time around, though Jonah does finally give his final (?) thoughts on Mass Effect: Andromeda, and Zelda keeps getting heavy praise. The Persona 5 news item alone spurred a ton of debate.
This week’s episode includes the following news:
Let us know what you think of the heated discussions in the episode.
This week’s Gaming Podcast deals with Jordan Lund discussing how much negative flak Windows 8 has been getting, Daniel Quick being his usual Canadian self, Paul Nowak returning triumphantly, and Jonah Falcon just taking infamy in stride. This week’s Gaming Flashback is the derided Super Pitfall! for the NES.
As far as the news:
There is no Question of the Week – rather, the crew is waiting to hear your questions for them instead.
NOTE: THIS ARTICLE DISCUSSES THE ENDING AND EVENTS OF MASS EFFECT 3. DO NOT READ IF YOU DO NOT WISH THE GAME TO BE SPOILED FOR YOU.
In this day and age, one learns to take internet outrage with a heavy dollop of salt. The videogame community tends to be reactionary in the worst way, for a few reasons: they tend to be young, they tend to express their immediate feelings almost as a stream of consciousness, and let’s face it, the Greater Internet Dickwad Theory comes into play as well.
When it comes to game endings, when I hear that the community is upset about a game’s ending, I almost always take that as a good sign that the ending is daring and provocative. For example, there was an outcry over the abruptness of the ending of Halo 2, which had the nerve to conclude with a cliffhanger. The 2009 Prince of Persia reboot ended with the player undoing all of the work to free an ancient evil god they’d just imprisoned.
So when I heard that there was a growing outcry about the endings of Mass Effect 3, my interest peaked, because invariably, that meant the story was provocative and daring, instead of predictable and boring.
