Wii Friends Codes, Not Perfect

Satoru Iwata, president of Nintendo has gone on record with his thoughts of the Wii friends code system. He’s a father, with a daughter, so he’s letting his own personal judgment get in the way of a good community built game system.

In talking about the open access of the Internet he said, “I as a father do not feel like allowing my daughter be engaged in that kind of world.” He’s more inclined to protect his children from the dangers of the Internet and random (often insulting) people by requiring a 1:1 paring with real friends.

For many gamers the Wii friends code system is far from perfect. It’s so far from perfect its a barrier to entry and any form of fun on the console platform. Nobody is against protecting their children, a parent will be the first to admit they’re desire to protect their kids over all else, but clearly someone isn’t thinking outside the box on this topic.

The only way to protect your children is to enforce a large numeric key which you must hand deliver (or e-mail) to your friends in order to play? We’ve got more creative enforcement in child safety on our TV sets using the VCHIP which allows parents to password protect certain television programming.

It’s not hard to consider a tiered security setting where the adult must unlock the system for online access, by either requiring a credit card to provide evidence you’re old enough or simply asking for your birth date before beginning online registration. Once you’ve done that you can set a management password to control online access.

A parent should have a management console within the Wii to manage sub-accounts on the console and grant certain access. Using a send/receive friend system through the console like Xbox Live would easily be implemented where the parent can (if configured) require all inbound/outbound friend requests to go through them as a proxy.

Other access grant/revoke features:

  • Online Gaming: Lock children down to playing online on specific games or full restrictions to disallow online play.
  • Online Friend Gaming: Allow children to only play online with friends in a private game.
  • Voice Chat: Allow voice chat with friends and anonymous gamers with the ability to restrict all voice chat or force mute on non-friend gamers. This limitation can be enforced in text-chat as well.
  • ESRB Rating: Limit game play to specific levels of ESRB ratings.

It’s clearly possible, with a tiny bit of infrastructure, to limit your child’s online presence without adding more barriers than needed. The console should ship with the highest level of restrictions so a gamer parent that doesn’t want to deal with the complex barriers has instant protection, but a parent with a little patience can setup their child’s online play to be toned exactly as needed for their age.

As it is now, the barriers cause any adult gamer to become frustrated and move towards other online avenues such as Xbox Live or Sony’s PSN. Nintendo’s so closed minded about their implementation that they’ve limited the network play to being nothing but a nusense and continual aggrivation with entering dozens of pin numbers (“friends codes”) to play.

For great ideas on how to design a network infrastructure some top executives should keep an open mind, jump on Sony’s PSN and Microsoft’s Xbox Live solutions and see how they do it. Once you’ve played Halo with a bunch of swearing and cursing twelve year old children you’ll be able to figure out a few tweaks and restrictions you can add to voice chat to make the experience much cleaner and friendlier.

It feels as if Nintendo hasn’t put any effort into exploring the idea of a layered pretection system in a community atmosphere. Child saftey can be enforced at many levels and handled differently for varying age groups. Don’t be lazy Nintendo, put some time into it.

Leave a Reply

Your email address will not be published. Required fields are marked *

Related Post

Does Sony Need M.A.G and God of War 3 This Year?Does Sony Need M.A.G and God of War 3 This Year?

There is a bit of confusion regarding the release dates of both M.A.G and God of War 3 for the PlayStation 3. Initially people believed 2009 was the target drop for both titles after a Sony press release mentioned great games being “ushered in” this year following Killzone 2.

godofwar3The “year” Sony may be talking about is fiscal year 2009… which rolls into March 2010. Although Sony hasn’t tagged either title with an ETA, it’s being assumed that we’re talking 2009 until spring 2010. Given most games launch in the September and October time for the holiday season that leads us to believe it will either arrive for the holiday or slide to 2010. If the title isn’t ready for prime time by the holiday season, can you wait a full year for these games?

More importantly, can Sony?

The best way to build up momentum for the console is to release some hot long awaited titles, M.A.G and God of War 3 seem to be just that product. We now have LittleBigPlanet, KillZone 2 and Metal Gear Solid 4 which were three big hopefuls for the console it would be a huge smash in the face of Microsoft to follow that up with two more one-two punches.

A year seems a bit too far to deliver the blow to their competition. What game are you waiting for on the PS3 and believe will kick unit sales into high gear?

(Thanks, 1up)

Distributed Game Development Using ContractorsDistributed Game Development Using Contractors

Gamers around the world have noticed a large trend in the video game industry in the last 15 years, massive growth with massive projects and unbelievable costs, goals and sales. We’ve seen the impossible become achievable in epic projects like World of Warcraft and huge sales figures from Halo 3 but we’ve also seen game titles fall down in a burning wreck.

Each studio tries to beat the next studio with crisp realistic graphics, real time physics engines, life-like explosions all with huge costs. Does it all sound familiar? If you’re a movie buff you’ve probably seen movie studios cranking out the same style of movie, high computer graphic effects with talented high priced actors making longer and longer films.

The only big difference? A game studio hires most of their talent for full time positions and then has to figure out what to do with them when the project ends. Perhaps this explains Microsoft’s effort to remove game studios like Ensemble, Bungie and FASA, it’s all too much to handle when a high budget project ships and time frees up in the studio.

(more…)