This week the gang reacts to Ubisoft’s pseudo-E3 presentation showing off their upcoming games, including Watch Dogs Legion, Immortals Fenyx Rising, Scott Pilgrim Vs. the World: The Game: The Remaster, and Riders Republic, and Yves Guillemot’s strange pre-show video.
Other news items include:
Let us know what you think.
This week we’re flashing back to Star Wars, an arcade classic from 1983. We’re looking back at the history and forward progress of ArenaNet, co-founded by some Blizzard folks. In the news, we’re looking at:
John Riccitiello, EA’s CEO says the recession is a blessingWe also learned that Don’s got some issues with not sucking at Mass Effect.
Paul, Jordan and Jonah continue to rock on, as they discuss the bizarre circumstance of the iOS app Flappy Bird, while Paul deals with Pinsanity issues (behind the scenes). They also discuss the classic The Chronicles of Riddick: Escape from Butcher Bay in the Gaming Flashback.
This week’s news includes:
There’s Listener Feedback with a new Question of the Week: “Did you introduce a non-gamer to gaming?”
Gamers around the world have noticed a large trend in the video game industry in the last 15 years, massive growth with massive projects and unbelievable costs, goals and sales. We’ve seen the impossible become achievable in epic projects like World of Warcraft and huge sales figures from Halo 3 but we’ve also seen game titles fall down in a burning wreck.
Each studio tries to beat the next studio with crisp realistic graphics, real time physics engines, life-like explosions all with huge costs. Does it all sound familiar? If you’re a movie buff you’ve probably seen movie studios cranking out the same style of movie, high computer graphic effects with talented high priced actors making longer and longer films.
The only big difference? A game studio hires most of their talent for full time positions and then has to figure out what to do with them when the project ends. Perhaps this explains Microsoft’s effort to remove game studios like Ensemble, Bungie and FASA, it’s all too much to handle when a high budget project ships and time frees up in the studio.
