Game of the Year Awards Nominees and Winners

For those of you who didn’t listen to the Game of the Year Awards postcast, or heard it and just wanted a visual recap of the nominees and winners, here is the complete ballot.

 

Best Game of the Year
Deathloop
Forza Horizon 5
Halo Infinite
Metroid Dread
Psychonauts 2

Worst Game of the Year
Balan Wonderworld
Battlefield 2042
eFootball 2022
Grand Theft Auto: The Trilogy – The Definitive Edition
Madden NFL 22

Best PC Game
Forza Horizon 5
Guilty Gear -Strive-
Halo Infinite
Hitman 3
Psychonauts 2

Best PlayStation 5 Game
Deathloop
Guilty Gear -Strive-
Ratchet & Clank: Rift Apart
Returnal
Tales of Arise

Best Xbox Series S/X Game
Forza Horizon 5
Halo Infinite
It Takes Two
Psychonauts 2
Resident Evil Village

Best Switch Game
Death’s Door
Ender Lilies: Quietus of the Knights
Metroid Dread
Monster Hunter Rise
Shin Megami Tensei V

Best Remake/Remaster
Alan Wake Remastered
Diablo II: Resurrected
The Great Ace Attorney Chronicles
Mass Effect Legendary Edition
Myst

Best Strategy
Age of Empires IV
Evil Genius 2: World Domination
Jurassic World Evolution 2
King’s Bounty II
Wildermyth

Best RPG
Fuga: Melodies of Steel
Pathfinder: Wrath of the Righteous
Scarlet Nexus
Shin Megami Tensei V
Tales of Arise

Best FPS
Back 4 Blood
Deathloop
Halo Infinite
Lemmis Gate
World War Z: Aftermath

Best Action or Platform Game
Hitman 3
It Takes Two
Kena: Bridge of Spirits
Marvel’s Guardians of the Galaxy
Returnal

Best Sports Games
F1 2021
Football Manager 2022
Forza Horizon 5
MLB The Show 21
Out of the Park Baseball 22

Best Adventure Game
Bonfire Peaks
Gnosia
Life is Strange: True Colors
Overboard!
Sherlock Holmes Chapter One

Best Fighting Game
Guilty Gear -Strive-
Melty Blood: Type Lumina
Nickelodeon All-Star Brawl
Persona 5 Strikers
Samurai Gunn 2

Best Casual Game
The Artful Escape
Chicory: A Colorful Tale
Mario Party Superstars
Townscaper
Unpacking

Best Expansion
Animal Crossing: New Horizons – Happy Home Paradise
Disco Elysium: The Final Cut
Final Fantasy XIV: Endwalker
Outer Wilds: Echoes of the Eye
Subnautica: Below Zero

Best VR Game
Demeo
I Expect You To Die 2: The Spy And The Liar
Resident Evil 4 VR
Subnautica: Below Zero VR
Wraith: The Oblivion – Afterlife

Best Graphics (Artistic)
The Artful Escape
Chicory: A Colorful Tale
Death’s Door
Fuga: Melodies of Steel
It Takes Two

Best Graphics (Technical)
Far Cry 6
Forza Horizon 5
Hitman 3
Ratchet & Clank: Rift Apart
Resident Evil Village

Best Voice Cast
Deathloop
Halo Infinite
It Takes Two
Psychonauts 2
Ratchet & Clank: Rift Apart

Best Voice Acting
Ozioma Akagha as Julianne Blake, Deathloop
Jack Black as Helmut Fullbear, Psychonauts 2
Erika Mori as Alex Chen, Life is Strange: True Colors
Maggie Robertson as Alcina Dimitrescu, Resident Evil Village
Jen Taylor as The Weapon/Cortana, Halo Infinite

Best Writing in an Action Game
Deathloop
Halo Infinite
It Takes Two
Psychonauts 2
Returnal

Best Writing in a Narrative Game
The Artful Escape
Fuga: Melodies of Steel
Life is Strange: True Colors
Marvel’s Guardians of the Galaxy
Sherlock Holmes Chapter One

Best Music
The Artful Escape
Deathloop
Marvel’s Guardians of the Galaxy
Narita Boy
Psychonauts 2

Best Song
“The Banks of the River Are Lined with Gold”, The Artful Escape
“City Lights / Ode to Somewhere”, Deathloop
“Cosmic I / Smell the Universe”, Psychonauts 2

Best Sound
Deathloop
Forza Horizon 5
Ratchet & Clank: Rift Apart
Resident Evil Village
Returnal

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This week’s Question of the Week is “What era war would you like to see in a shooter?”

Diablo 3, Finite Health and Loving ItDiablo 3, Finite Health and Loving It

Diablo 3 Lead Designer Jay Wilson sat down with Multiplayer Blog to explain how the health system works in Diablo 3 and how it differs from Diablo 2. In short, you can’t add a new feature without removing an old one, in this case we’re talking about health potions.

The goal is to broaden the Diablo audience to more than just the hardcore fans. Lets be honest with ourselves, the health potion system was way too far out of control (broken?) By mid-game or earlier, half the character inventory was full of potions and you might have just purchased shares in the potion selling company with all the spending you’ve done there. The health potion system created the infinitely powerful character, in essence, by making them immortal.

Activision Blizzard has learned a bit about their success with broad audiences in games like World of Warcraft, which has surpassed game sales over Diablo 2, their most successful game title. What they’ve decided to do in this release of Diablo is to limit the characters ability to heal and make them “mortal” again, requiring the player to use strategy, tactics and skills to defeat enemies. Rather than charging forward pressing “1” then “2” then “3” and the other hot keys for potions, you’ll be forced to back away during strong stomp attacks, mind your enemies special attacks and defend yourself.

“One of the things that happened in ‘Diablo II’,” Wilson continued, “was the player was faster than most of the monsters and had pretty much infinite health because they would just pop as many potions as they wanted. So when you have a player who has more mobility, more health and endless power, essentially the only thing you can really do to challenge [the players] is to kill them… by just spiking the difficulty.” (multiplayer blog)

Gating the users ability to heal is a classic RPG/Adventure game mechanism for changing the playing field in terms of difficulty. You can make a game with weaker enemies in abundance and still cause you harm, take a look back at Gauntlet in the arcade for an example of this method. You can build challenging enemy styles and dungeon traps to cause the player to mind their step, look at the classic Zelda series and some of their crazy enemies. A great example is the Darknuts from The Legend of Zelda, it was a small knight that could only be attacked from behind but had a sharp little dagger if you bumped them from the front. You had to use tactics to wipe out a full room of Darknuts.

Activision Blizzard will now have the option to create some fancy enemies with challenging special abilities that do not involve insta-kill upon contact battle tactics. You control a super hero character, not an immortal; there should be some challenge besides hacking and slashing through mobs of enemies. Wilson went on to say, “We can make a monster that affects your mobility, we can make a monster that has different kinds of attacks that are dangerous to you and that you actually have to avoid. And so it makes the combat a lot more interesting.”

One of the criticisms to the Diablo franchise has always been the “click fest” of battle. You sit still and click on enemies until everyone is dead. Perhaps, without having infinite potions you’ll be challenged to use your brain on occasion, like a real RPG and have more creative use of your money rather than investing a half-billion into the potion vendors.

Where does that lead the hardcore Diablo fans? Activision Blizzard hopes they’ll see a title with a lot more depth, a new style of challenge and a long term appeal.

GTA IV: 46th Best-Selling Game In AugustGTA IV: 46th Best-Selling Game In August

Like a washed up superstar, Grand Theft Auto IV continues to drop in NPD figures. This Axl Rose of video games came on strong and sputtered out into oblivion with barely a notice, leaving the spotlight and all hype behind it. This drastic fall may hurt any negotiations “behind closed doors” with Electronic Arts and their constant attempts to take over Take-Two.

Prior to the release of GTA IV we, in our gaming podcast, predicted a huge launch would up the anti against the bids on Take-Two from EA but things didn’t work out exactly as we expected. Although the game has sold 8.5-million units, it might not add any new bargaining power to the back door negotiations.

A game company is only as good as their games. A hit title which dies out quick helps financially guide the future of the company; technically the future isn’t so bright. With the title quickly falling off the top game sales charts we may never see it hit record sales figures to match that of smaller titles. Having one hot title every four years that “breaks records” for a week isn’t a strong weapon against a low bid from a larger publisher.

While EA may not have any record setting “one week” sales titles yet, they do have a consistently strong set of titles which stick on the charts for months with newer titles arriving to take their spot when they fade. The same can be said for a few other notable publishers, Activision and Ubisoft. To survive in the hot game industry, especially with market downturns, one must have a cycle of great games to publish throughout the year consistently year-over-year in order to provide evidence of their financial stability.

Assuming the bid won’t raise for GTA IV, where does that leave Take-Two? Perhaps Take-Two is better off under the umbrella of Electronic Arts after all. The waters are getting more hostile in the industry as companies compete for gamers attention with 100-million dollar titles and casual games and game consoles (read: Wii) start to build a whole new none-gamer-style momentum.

Is Take-Two better off under the EA brand?