Game of the Year Awards Nominees and Winners

For those of you who didn’t listen to the Game of the Year Awards postcast, or heard it and just wanted a visual recap of the nominees and winners, here is the complete ballot.

 

Best Game of the Year
Deathloop
Forza Horizon 5
Halo Infinite
Metroid Dread
Psychonauts 2

Worst Game of the Year
Balan Wonderworld
Battlefield 2042
eFootball 2022
Grand Theft Auto: The Trilogy – The Definitive Edition
Madden NFL 22

Best PC Game
Forza Horizon 5
Guilty Gear -Strive-
Halo Infinite
Hitman 3
Psychonauts 2

Best PlayStation 5 Game
Deathloop
Guilty Gear -Strive-
Ratchet & Clank: Rift Apart
Returnal
Tales of Arise

Best Xbox Series S/X Game
Forza Horizon 5
Halo Infinite
It Takes Two
Psychonauts 2
Resident Evil Village

Best Switch Game
Death’s Door
Ender Lilies: Quietus of the Knights
Metroid Dread
Monster Hunter Rise
Shin Megami Tensei V

Best Remake/Remaster
Alan Wake Remastered
Diablo II: Resurrected
The Great Ace Attorney Chronicles
Mass Effect Legendary Edition
Myst

Best Strategy
Age of Empires IV
Evil Genius 2: World Domination
Jurassic World Evolution 2
King’s Bounty II
Wildermyth

Best RPG
Fuga: Melodies of Steel
Pathfinder: Wrath of the Righteous
Scarlet Nexus
Shin Megami Tensei V
Tales of Arise

Best FPS
Back 4 Blood
Deathloop
Halo Infinite
Lemmis Gate
World War Z: Aftermath

Best Action or Platform Game
Hitman 3
It Takes Two
Kena: Bridge of Spirits
Marvel’s Guardians of the Galaxy
Returnal

Best Sports Games
F1 2021
Football Manager 2022
Forza Horizon 5
MLB The Show 21
Out of the Park Baseball 22

Best Adventure Game
Bonfire Peaks
Gnosia
Life is Strange: True Colors
Overboard!
Sherlock Holmes Chapter One

Best Fighting Game
Guilty Gear -Strive-
Melty Blood: Type Lumina
Nickelodeon All-Star Brawl
Persona 5 Strikers
Samurai Gunn 2

Best Casual Game
The Artful Escape
Chicory: A Colorful Tale
Mario Party Superstars
Townscaper
Unpacking

Best Expansion
Animal Crossing: New Horizons – Happy Home Paradise
Disco Elysium: The Final Cut
Final Fantasy XIV: Endwalker
Outer Wilds: Echoes of the Eye
Subnautica: Below Zero

Best VR Game
Demeo
I Expect You To Die 2: The Spy And The Liar
Resident Evil 4 VR
Subnautica: Below Zero VR
Wraith: The Oblivion – Afterlife

Best Graphics (Artistic)
The Artful Escape
Chicory: A Colorful Tale
Death’s Door
Fuga: Melodies of Steel
It Takes Two

Best Graphics (Technical)
Far Cry 6
Forza Horizon 5
Hitman 3
Ratchet & Clank: Rift Apart
Resident Evil Village

Best Voice Cast
Deathloop
Halo Infinite
It Takes Two
Psychonauts 2
Ratchet & Clank: Rift Apart

Best Voice Acting
Ozioma Akagha as Julianne Blake, Deathloop
Jack Black as Helmut Fullbear, Psychonauts 2
Erika Mori as Alex Chen, Life is Strange: True Colors
Maggie Robertson as Alcina Dimitrescu, Resident Evil Village
Jen Taylor as The Weapon/Cortana, Halo Infinite

Best Writing in an Action Game
Deathloop
Halo Infinite
It Takes Two
Psychonauts 2
Returnal

Best Writing in a Narrative Game
The Artful Escape
Fuga: Melodies of Steel
Life is Strange: True Colors
Marvel’s Guardians of the Galaxy
Sherlock Holmes Chapter One

Best Music
The Artful Escape
Deathloop
Marvel’s Guardians of the Galaxy
Narita Boy
Psychonauts 2

Best Song
“The Banks of the River Are Lined with Gold”, The Artful Escape
“City Lights / Ode to Somewhere”, Deathloop
“Cosmic I / Smell the Universe”, Psychonauts 2

Best Sound
Deathloop
Forza Horizon 5
Ratchet & Clank: Rift Apart
Resident Evil Village
Returnal

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Episode 329: Back AgainEpisode 329: Back Again

Gaming Podcast is back after being off for a week. This time out, there’s a Gaming Flashback as Jordan and Jonah discuss The 7th Guest, which was coincidentally just released on Steam.

This week’s news includes:

  • Xbox One and PlayStation 4 headsets compatibility issues
  • Dark Matter abrupt ending blamed on failed Kickstarter drive
  • Rockstar New England working on “next version of famous IP”
  • Fassbender on Assassin’s Creed film: it’s “definitely happening”
  • Struggling Scrolls may go free-to-play

This week’s Question of the Week, “What was your favorite adventure game?”

Developer Wants License Keys For Console GamesDeveloper Wants License Keys For Console Games

UK developer David Braben from Frontier Developments believes smaller development studios are in the worse position when it comes to re-sale of “pre-owned” video games. Since a developer only gets their cut of the profits when a game is sold new, pre-owned titles allow gamers to play games without paying the developer for the effort.

This also hurts larger publishers, but they’re able to recover because of the sheer volume of games and game titles. One idea David had, was to code each game with a unique license key like a PC game that gamers must enter before playing. This would kill the ability to re-sell video games back to the market for others to buy at a cheaper price (translation: better value).

The future shows a higher degree of downloadable games, which cannot be re-used or sold back to the market, but for now, developers have to deal with pre-owned video games cutting into their profit. Presumably you could have a great game with smaller sales and a high degree of resale in the pre-owned market.

Problem with this take on development? Besides large scale video game sellers like GameStop making 80% profit margins on resold games (rather than a 10-15% on new), gamers want a way to make back some of their money on expensive titles. When you’re paying $60 for a game and you beat it in a week or two, you want to resell it so you can invest in a future title.

My theory… make games more affordable so we don’t feel gouged on the price. We may decide to hold on to it longer and tell our friends about it. A good game reference and a reasonable price will increase sales every time. Don’t try to solve pre-owned problems when the problem is the publisher and the industry making huge game prices.

(Thanks, Kotaku)

Smart Business Choices During Economic DownturnsSmart Business Choices During Economic Downturns

Many game studios are being dropped following a bit of an economic downturn in the United States and globally. Activision has to deal with being agile enough to survive the economic times like anyone else and has dropped a few games that had great potential.

Gamers continue to ask the question, “why?” when some of their highest potential games were dropped to the floor. Ghostbusters and Brütal Legend are a couple examples of games with eager fans already salivating prior to its launch. Some of these fans are a bit ticked off that Activision named them as dropped franchise opportunities.

People ask why a company holds one “mediocre” title while getting rid of other potentially awesome ones. Don’t forget, this is a business and a good studio/publisher is going to make good business decisions without emotional attachments – those that bring emotions into play may end up with a highly valued product (to them) with no additional potential and lower revenue. This isn’t to say developers cannot be passionate about their games and their industry, they just have to build games gamers will buy and continue to fall in love with release after release.

Activision CEO Bobby Kotick is one of these business savvy individuals who knows where investors will find profits for the future, and he also know how to manage employees, with the use of software like this sample pay stub for payments and more.

“[Those games] don’t have the potential to be exploited every year on every platform with clear sequel potential and have the potential to become $100 million dollar franchises. … I think, generally, our strategy has been to focus… on the products that have those attributes and characteristics, the products that we know [that] if we release them today, we’ll be working on them 10 years from now.” (1up)

Ghostbusters is a great example of a title which could be well received and fun to play but probably wouldn’t be an exploitable franchise. The game, based on a popular movie, has limited potential for yearly releases and huge franchise success. Ghostbusters fans would probably disagree, but that’s when emotion comes into play. Think dollars and cents, not awesome fun gaming.

Oddly enough many of these business decisions from Activision, Electronic Arts and other big publishers arrive when the economy is in free fall and investors are eying your revenue potential. People make their most important and, usually, unfriendly business decisions when their company is at risk.

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It’s sad to think money comes first and entertainment value comes second but we’re not the ones trying to make a profitable living in the industry. Put yourself in Kotick’s shoes as he walks into a board meeting to discuss future plans, road maps and profitability – you’d do what you have to do to keep your job, right?