The Nintendo Switch is looming on us all, and more rumors from trusted sources are popping up. We also reminisce about music from the Jet Grind Radio games and talk about the timing of Titanfall 2 sucked.
This week’s news includes:
Let us know if you’re going to buy a Nintendo Switch.
This weeks gaming podcast we cover a little history on Joust and a bit about Stieg Hedlund, a popular game designer, artist and writer. This weeks news coverage involves:
This week Don and Derrick give their final impressions on Grand Theft Auto IV, both finally beating it. There are two conflicting opinions, more like the last few RPG-style GTA’s or more shoot ’em up, keep it the same. What do you think? Also, does anybody know how much does gta 5 cost ps4?
This week is a little special as Jonah, Jordan and Paul discuss some of the things that were common in the golden age of 1990’s consoles that are no longer around.
In addition, the news includes:
The Question of the Week: “What gaming activities do you no longer do?”
Gamers around the world are going to feel the pain in the 2009 holiday season after the economy shakes apart many great development studios. Electronic Arts feels the pain of being a public company as their investors complain about lackluster revenue, THQ deals with closing studios to extend their runway and other firms will lose more headcount in the coming months.
It’s not all bad. But, it’s going to get ugly before it gets better.
The financial market has played tricks on everyone in our global economy and companies across all industries are going to feel a bit of a tightening around the belt. Investors are shaken and doing their best to protect their investments and cutting loose those that aren’t projecting profits in the near future. Game studios are going to slow their financial burn rates, trim a bit of the fat and hunker down the long term. The end result, next years holiday season will have a few less games because those games are being dropped to the floor now.
Mid-sized studios within larger firms may find their projects canceled or put on hold and their employees re-structured or let go while big studios assess what projects will make the long haul. This is the ugly side of the business, having to make a decision on what games stay and what games go with the grief of having to tell some of your best talent “goodbye.”
The bad part of the industry is occurring today, with publishers posting mediocre profits and trying to convince their investors to be patient and trust they’ve got a firm hold on their destiny. The game industry is not alone in this, many firms are reducing head count and many startups are finding themselves without series A or B funding; they’re closing their doors because the money is being directed to more stable ventures.
What’s the good in all of this?
