Episode 501: The Official Levis Episode

This episode follows the landmark 500th episode, and this next episode is dominated by Nintendo, both in the news and looking back at the Gaming Flashback for Wii Music and the infamous E3 performance starring Reggie Fils-Aime and Cammie Dunaway.

The news includes:

  • Nintendo Labo first week sales sluggish in Japan, UK
  • Atari announces Atari VCS pre-sale begins May 30th on IndieGogo
  • Eastfound looks to scratch that retro Zelda itch
  • Nintendo starts moving to a Wii-like “non-gamer” strategy for the Switch

All of this and Listener Feedback.

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Episode 285: Surviving SandyEpisode 285: Surviving Sandy

The podcast is back this week after being knocked out by Hurricane Sandy hitting New York City hard. As the Kickstarter continues to struggle to find donors, Jordan discusses his hands-on experience with the new Microsoft tablet, the Surface, in lieu of a Gaming Flashback.

This week’s news items include:

  • Civilization MMO being developed in Asia
  • Yoshida: PlayStation Vita sales are below expectations
  • DICE giving away Battlefield 1942 for free on Origin
  • Redding: “lower-case aaa” games where the industry should be heading
  • Microsoft and 343 Industries taking hard stance on sexism

All that and Reader Feedback. This week’s Question of the Week, “What do you do for fun when you can’t access the internet?”

Help the TD Gaming Podcast with its Kickstarter fundraising.

Mass Effect 3: What REALLY Went Wrong, And How To Fix ItMass Effect 3: What REALLY Went Wrong, And How To Fix It

NOTE: THIS ARTICLE DISCUSSES THE ENDING AND EVENTS OF MASS EFFECT 3. DO NOT READ IF YOU DO NOT WISH THE GAME TO BE SPOILED FOR YOU.

In this day and age, one learns to take internet outrage with a heavy dollop of salt. The videogame community tends to be reactionary in the worst way, for a few reasons: they tend to be young, they tend to express their immediate feelings almost as a stream of consciousness, and let’s face it, the Greater Internet Dickwad Theory comes into play as well.

When it comes to game endings, when I hear that the community is upset about a game’s ending, I almost always take that as a good sign that the ending is daring and provocative. For example, there was an outcry over the abruptness of the ending of Halo 2, which had the nerve to conclude with a cliffhanger. The 2009 Prince of Persia reboot ended with the player undoing all of the work to free an ancient evil god they’d just imprisoned.

So when I heard that there was a growing outcry about the endings of Mass Effect 3, my interest peaked, because invariably, that meant the story was provocative and daring, instead of predictable and boring.

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