UK developer David Braben from Frontier Developments believes smaller development studios are in the worse position when it comes to re-sale of “pre-owned” video games. Since a developer only gets their cut of the profits when a game is sold new, pre-owned titles allow gamers to play games without paying the developer for the effort.
This also hurts larger publishers, but they’re able to recover because of the sheer volume of games and game titles. One idea David had, was to code each game with a unique license key like a PC game that gamers must enter before playing. This would kill the ability to re-sell video games back to the market for others to buy at a cheaper price (translation: better value).
The future shows a higher degree of downloadable games, which cannot be re-used or sold back to the market, but for now, developers have to deal with pre-owned video games cutting into their profit. Presumably you could have a great game with smaller sales and a high degree of resale in the pre-owned market.
Problem with this take on development? Besides large scale video game sellers like GameStop making 80% profit margins on resold games (rather than a 10-15% on new), gamers want a way to make back some of their money on expensive titles. When you’re paying $60 for a game and you beat it in a week or two, you want to resell it so you can invest in a future title.
My theory… make games more affordable so we don’t feel gouged on the price. We may decide to hold on to it longer and tell our friends about it. A good game reference and a reasonable price will increase sales every time. Don’t try to solve pre-owned problems when the problem is the publisher and the industry making huge game prices.
(Thanks, Kotaku)
@electroshock headset: Why? I can’t fathom why anyone would pay $100 to do this on purpose.
@VR horror survival: I think this is a good idea, and I thought DayZ was a survivor horror game. I do tend to get jumpy with various mobs from different games so having it VR would be even worse.
I wanted to give my impressions of E3, I have to say that Bethesda just knocked it out of the park day one. I was admittedly on the fence about Fallout 4, I wasn’t sure I wanted to even look at it. Then Todd Howard took to the stage and converted me to a rabid fanatic of Fallout 4. He did a fantastic job of building up and revealing the various features of the game. Showing the great detail of character creation, adding that you can play as a woman (to be fair you can do so in all Fallout games). Then the sheer amount of vibrant color which goes a long way to look better than the drab colors of Fallout 3. Then he went into the sheer amount of weapon customization and then stated “oh and you can build settlements” at which point I lost it and had to have this game. Then he revealed you can have a real freaking Pip boy!
After that presentation everything else just felt lack luster. Even the lovely rendered Doom just failed to impress me. When Adam Sessler asked what’s different about this Doom? They then stated that it was speed and weapons, which to me is what every FPS has or aspires to have. FPS in general just doesn’t make me happy, building does and adding THAT to Fallout 4 is like making it an entirely different game.
I will most likely be building settlements across the wasteland like I’m building a new Civilization. I may end up forgetting the main story entirely as I will be busying acting like I’m playing a modded Civ game to look like Fallout.
I saw the Hololens which is a great concept and idea, but it seemed like the control of it was a little rough there. I’ve been told this game is 2x the size of Skyrim, one developer spent 4oo hours exploring and was still finding new things. So I suspect Jonah may not want to play this.
I do like when you guys have Genre talk like the D&D, Vampire Masquerade, and Dr Who.
QotW: I think I prefer a voiced character, someone who has an identity. The blank slate is nice but I feel like I need a complete story and knowing that my character never says anything can feel kind of gimmicky at times, especially when other characters are basically having to be your voice.