TJ announces his nuptials the previous week, finally marrying his live-in girlfriend of 10 years. All that, and many parables that had to be cut from the podcast lest it last 90 minutes.
That said, there’s plenty of news this week:
Let us know if you spent $50,000 on a virtual spaceship.
Jordan Lund can’t make Episode 280, but fortunately, Paul S. Nowak makes his triumphant return, albeit pumped full of medication. Enjoy his drug-fueled babbling as he waxes poetic on the virtues of playing social networking games while high.
He was lucid enough to discuss the following news items with the gang, however:
Gaming Podcast is also running a new contest to win a free Steam code for the hotly anticipated XCOM: Enemy Unknown remake. All listeners have to do is answer the Question of the Week in the comments section, “What is your favorite game from the 1990’s?”
Double Dragon II: The Revenge, this is a sequel title to a game which arrived earlier on the NES as an arcade port, something pretty standard back in the day of arcades, and like it’s original port, has variations from the arcade.
The trick is, the variations are much less than that of the original (which might as well been it’s own version of the arcade game but sucky). I was a huge fan of the original Double Dragon title in the arcade and was met with extreme disappointment when I found out it was strictly single player on the NES console.
This game was 300% better than the disappointing Double Dragon release on the NES. Granted, the NES version was fun to play, in single-player, but I purchased it for the two-player nature of the arcade version so I could play the game with my friends. Double Dragon II, on the NES had finally restored my faith in Technos Japan and the american publisher Acclaim. They took a bad situation and made it much better in the second release, why they didn’t make the original multiplayer is beyond me.
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Miyamoto said Nintendo used E3 as a platform for spreading the word to a broad audience based on the media present at the event, they’re not speaking to the core audience. So, if you’re a core audience gamer and you were confused on why Nintendo didn’t build their presentation to be all glitz and glamor, it’s because they weren’t talking to you.
Based on the fact that E3 is a “press event” and their looking to get out the word to the general audience, press is needed as a staging point. The audience sitting in the seat was a bit more intense in nature and have high expectations for each presentation.
With sites like gamespot streaming the event live on the Internet it’s not too hard to imagine some casual gamers and non-core-gamers may have been listening. Or, perhaps their hoping to get old school media in the form of magazines and journalists to write about their upcoming product launches.
Or, perhaps they just showed up because they’re expected to?
(Thanks, Joystiq)
Congratulations TJ!