Episode 608: Ghosts and Goblins and Everything

Lots of stuff is coming to Game Pass and platforms everywhere, as TJ enthuses about Ghosts ‘N Goblins, and shows less enthusiasm over Resident Evil Re:Verse.

This week’s news includes:

  • Ghosts ‘N Goblins Resurrection coming to PlayStation, Xbox, and PC in June
  • Elite Dangerous: Odyssey launches on PC in May
  • Dragon Quest Builders 2 is coming to Xbox Game Pass
  • Resident Evil Re:Verse has been delayed

Let us know what you think.

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Episode 266: Get That E3 KickEpisode 266: Get That E3 Kick

Jonah Falcon and Paul S. Nowak return from the magical E3 2012 videogame convention and everyone has their own opinions on what they thought were the highlights and lowlights of E3. They also make their own predictions, as Dan Quick contemplates writing hate mail to Jonah for having access to SimCity and Need for Speed: Most Wanted.

The podcast also features some great news, including:

  • THQ closes their San Diego Studio, sells the UFC license
  • Ubisoft states annual Assassin’s Creed releases funded AC3
  • Vivendi may sell Activision-Blizzard

There’s also some Reader Feedback, as well as the new Question of the Week, “What did you take away from E3?”

Episode 337: GlamourEpisode 337: Glamour

The podcast is back, with a healthier Jonah joining Jordan. No Dan or Paul however.

The news:

  • Hitman Project reportedly canceled, Square Enix responds
  • Alienware Steam Machine priced ‘very competitive’ with PS4, Xbox One
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  • Gabe Newell reacts to Xbox One and Steambox comparison

Question of the Week: “What are you most looking forward to in 2014?”

Mass Effect 3: What REALLY Went Wrong, And How To Fix ItMass Effect 3: What REALLY Went Wrong, And How To Fix It

NOTE: THIS ARTICLE DISCUSSES THE ENDING AND EVENTS OF MASS EFFECT 3. DO NOT READ IF YOU DO NOT WISH THE GAME TO BE SPOILED FOR YOU.

In this day and age, one learns to take internet outrage with a heavy dollop of salt. The videogame community tends to be reactionary in the worst way, for a few reasons: they tend to be young, they tend to express their immediate feelings almost as a stream of consciousness, and let’s face it, the Greater Internet Dickwad Theory comes into play as well.

When it comes to game endings, when I hear that the community is upset about a game’s ending, I almost always take that as a good sign that the ending is daring and provocative. For example, there was an outcry over the abruptness of the ending of Halo 2, which had the nerve to conclude with a cliffhanger. The 2009 Prince of Persia reboot ended with the player undoing all of the work to free an ancient evil god they’d just imprisoned.

So when I heard that there was a growing outcry about the endings of Mass Effect 3, my interest peaked, because invariably, that meant the story was provocative and daring, instead of predictable and boring.

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