Episode 533: Muffled Audio

TJ’s mic is a strangely muffled this week, while the group anxiously await the release of the upcoming title Sekiro: Shadows Die Twice.

This week’s news includes:

  • Cuphead is coming to the Nintendo Switch, with Xbox Live support coming
  • The Outer Worlds and Control will launch on the Epic Store, not Steam
  • Cadence of Hyrule coming this Spring to Switch
  • Oculus Rift S promises higher resolutions for PC gaming without external sensors

Let us know what you think.

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Episode 266: Get That E3 KickEpisode 266: Get That E3 Kick

Jonah Falcon and Paul S. Nowak return from the magical E3 2012 videogame convention and everyone has their own opinions on what they thought were the highlights and lowlights of E3. They also make their own predictions, as Dan Quick contemplates writing hate mail to Jonah for having access to SimCity and Need for Speed: Most Wanted.

The podcast also features some great news, including:

  • THQ closes their San Diego Studio, sells the UFC license
  • Ubisoft states annual Assassin’s Creed releases funded AC3
  • Vivendi may sell Activision-Blizzard

There’s also some Reader Feedback, as well as the new Question of the Week, “What did you take away from E3?”

Exclusive Artist Deals In Rhythm Games Not Good?Exclusive Artist Deals In Rhythm Games Not Good?

Rhythm games are the new FPS for a lot of gamers, a broader audience of gamers, and the market is thriving and demanding new titles. Harmonix and Activision are at the front of the battle with Konami following a bit behind but still contending (we think) very soon.

Each company plans to up each other with cooler instruments, tighter controls and new in-game options and multi-player fancies. It’s a business and each competitor tries to gain a lead by whatever means needed to win… or do they?

Harmonix stops short when it comes to purchasing exclusive rights to music artists, for now at least. Harmonix’s Eric Brosious went on blogger record saying, “We prefer not to sign exclusive deals with artists because while it seems like the competitive “business” thing to do, in the long run, it’s really not good for anyone. We think we should be working to get more music out to more people.” (kotaku)

As Marky Mark once said, we need “Music for the people” not for in-game exclusives making us choose between Guitar Hero and Rock Band titles. We’ve seen what EA has done to the football franchise by taking control of the NFL roster, money talks and the best game doesn’t always win.

If Activision decides to buy up a ton of great exclusive content and you’re a rock band gamer, you’ll lose out in a ton of great content. For some gamers, that might mean losing out in some artists you’ve never heard before which also means the artist loses out in new fans. We’ve seen younger gamers fall in love with the sounds of Boston and The Police, bands famous way before the birth of many of the Rock Band fan base.

You can tell Harmonix is a development group with roots in music while Activision is a development group with their roots in business. While exclusive access brings you an advantage, in terms of broadening the culture of music, it does very little. Harmonix may be in the right but will that matter in the end when business deals hit the table?

p.s. sorry about the Marky Mark reference, but it had to be done. Bringing out a bit of my own childhood there…

Episode 501: The Official Levis EpisodeEpisode 501: The Official Levis Episode

This episode follows the landmark 500th episode, and this next episode is dominated by Nintendo, both in the news and looking back at the Gaming Flashback for Wii Music and the infamous E3 performance starring Reggie Fils-Aime and Cammie Dunaway.

The news includes:

  • Nintendo Labo first week sales sluggish in Japan, UK
  • Atari announces Atari VCS pre-sale begins May 30th on IndieGogo
  • Eastfound looks to scratch that retro Zelda itch
  • Nintendo starts moving to a Wii-like “non-gamer” strategy for the Switch

All of this and Listener Feedback.