This week’s episode has a long discussion on videogame music of the past, while Jonah discusses Batman: Arkham Origins and iPad adaptations of board games.
This week’s news includes:
This week’s Question of the Week is: “What was your favorite videogame music?”
This week’s episode morphs from a discussion about abusive workplace practices to pharmaceutical company practices. Otherwise, it’s just a discussion about the games people play and the people who play them. Also, a bunch of pop culture discussion.
This week’s news includes:
The Question of the Week, “What games are you looking forward to this coming Summer?”
This weeks gaming podcast flashes back to Drakkhan, touches on the history of Infocom and battles some gaming news in a time when gaming news is light. We’re reading some community comments and tackling these difficult headlines:
This week’s question of the week, what occurred in 2009 that “wowed” you, made you happy, built your excitement or just generally rocked your face off?
Baldur’s Gate isn’t too old, it was released in November of 1998, but that’s still a bit dated now. The gaming industry isn’t friendly to the years, often working in what seems to be accelerated “dog years” in terms of technological advancements. It figured this was worth covering because it’s one of the best selling and considered a top tier single-player RPG by most accounts.
It was also developed by BioWare, who, at the time, only had one other game under their belt from two years before called Shattered Steel.
The story begins just after a devastating event in the Forgotten Realms D&D campaign called the “Time of Troubles.” This was a great twist in the standard D&D campaign, it caused all curative magic (clerics) to lose their ability to heal unless near their deity, magic didn’t function correctly (I believe this is where the Wild Mage came from) and was unpredictable and gods walked the earth as mortals which caused magic to, in effect, die while the gods were away. Since the storyline starts slightly after this event, the game contains healing and magic but the storyline is impacted by prior events of course, people have trust issues.
The game was made great because it held “mostly true” to the 2nd Edition D&D roots so the learning curve for D&D player’s wasn’t so rough; some things were adjusted to handle the real-time effect of a video game RPG. You could party with up to six Non-Player-Characters (NPC’s) whom would swap in and out of your active party over time as part of the storyline (something also implemented by the US release of Final Fantasy 2).
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It’s hard for me to pick a perfect or favorite video game soundtrack/score. The music aspect of games is really half the experience if your zoning it out while playing I think then that would I think lessen the enjoyment of said game.
I loved JRPG scores like Crono Trigger, Final Fantasy, and Suikoden. The emotional attachment that I feel with many of the scores in those games made it that much more a memorable experience to me.